Commercial sexual services are a feature of every human society, a fact which suggests such services address basic human needs transcending cultural boundaries.
However, in feminist influenced cultures, including our own, a persistent and shrill narrative continues to denounce the existence of this area of commerce, and the consumers of commoditized sex, using hyperbolic language such as "the commercial rape industry" or equating transactional sexual encounters as innately violent.
Sexualized imagery is similarly condemned with claims that sexualization of women de-humanizes them or dis-empowers them. All of this narrative wielded by feminists in service of the goal of characterizing male sexuality, and the human needs of men to feel desired as pathological, perverse, or criminal.
Understanding breeds compassion, and so, within the theoretical framework of the Compassion for Men Movement, we begin with an examination of one of the most demonized aspects of men, their use of the services offered by the sex industry. This series is a joint project by Johntheother and TyphonBlue who contributes article content at AVfM, Genderratic and co-hosts AVfM Radio along with JTO and Girl Writes What
However, in feminist influenced cultures, including our own, a persistent and shrill narrative continues to denounce the existence of this area of commerce, and the consumers of commoditized sex, using hyperbolic language such as "the commercial rape industry" or equating transactional sexual encounters as innately violent.
Sexualized imagery is similarly condemned with claims that sexualization of women de-humanizes them or dis-empowers them. All of this narrative wielded by feminists in service of the goal of characterizing male sexuality, and the human needs of men to feel desired as pathological, perverse, or criminal.
Understanding breeds compassion, and so, within the theoretical framework of the Compassion for Men Movement, we begin with an examination of one of the most demonized aspects of men, their use of the services offered by the sex industry. This series is a joint project by Johntheother and TyphonBlue who contributes article content at AVfM, Genderratic and co-hosts AVfM Radio along with JTO and Girl Writes What
Surveys of men who seek gratification through commercial sex services
– either porn, or prostitution, or lap dances or any other
commercial sex showed that rather than men seeking sexual
gratification as rutting animals – modelled on the Dworkinian view
of men as subhuman; men's motivation to seek commercial sex is based
on the human need to be recognized as desirable.
This runs contrary
to the populist notion of male sexuality as debased, inferior and
pathological.
Socially, men are expected to validate women's value
as objects of sexual desire by exhibiting attraction, affection, and
deference, but at the same time, men are also expected to weather a
culturally normal climate of pre-emptive rejection.
Further, men must
pass tests of fitness, financial and physical, to ‘prove’ the
worth of their desire. All of these expectations validates the
feminine fantasy of hyper-desirability; desirability beyond the
humanly possible.
The self validation of women and girls by
rejection of positive male attention is expressed in hundreds of
small, socially normal gestures and practices. De-escalation of male
initiated social contacts. Two messages or more required for a single
call-back. Voice message left, but only a text message returned. All
these variations on ‘playing hard to get’ reflects a normal
social protocol in which men, on whom the onus has always been to
initiate social contact, have to make a more overt effort than that
which is returned, even when the woman in question desires that
contact. This establishes a climate in which men automatically assume
a low level of ongoing social rejection. This is normal across our
culture, and masculine complaint can be easily punished through the
censure of “wimp”, “sissy” and similar minor insult.
Feminine attire which puts secondary sexual characteristics on display is standard in casual clothing as well as evening attire or less formally “party clothes”. The obvious purpose of such clothes being to amplify the wearer's overt feminine sexuality and command attention. Conversely, although all men are expected to respond with positive attention, only those passing the feminine test of high status or conspicuous wealth are allowed to express their stimulated attention. This is the social levy exacted, but only returned to those males overtly demonstrating their utility as dispensers of upward social mobility and feminine access to resources.
Men
expressing the attraction or desire socially assumed of them also
risk censure if such expression is mis-timed, too overt, or for any
reason, not reciprocated.
This elaborate, confusing dance becomes
much simpler in the lens of manufacturing hyper-desire. The more
obstacles a man must overcome to express his desire the more the
woman feels desired by the man.
Romance novels can be reduced down
to a simple formula in which female desirability inspires grandiose
acts of self-sacrifice on the part of the male.
The men in romance
novels are ‘eyeballs and actions’, empty ciphers that exist only
to illuminate the hyper-desirability of the female protagonist.
In
fact this whole system, from shaming of male sexuality as debased
through the expectation that men weather rejection without end in
order to manufacture hyper-desire for women to it's vetting of which
men are allowed to desire—excludes men from a fundamental human
need—developed through eons of evolution as pair-bonders—the
feeling of being desirable.
In discussions of female sexual
objectification for the purpose of marketing to man, the usual
language describing imagery of women usually refers to “tits and
ass”.
However, research from the Center for Behavioural
Neuroscience in Atlanta[3] shows that depiction of the feminine gaze
is key to male attraction to such images. It is, in fact, the sexual
agency of an attractive woman, as expressed through a direct gaze
towards the male subject that lights up the male’s reward response
system. [4] When an attractive woman is presented as a ‘sex object’
her gaze averted and herself unengaged with him—his reward system
is unresponsive.
To put it simply, men look at porn to feel
sexually desirable. Men pay strippers to get positive, sexualized
attention from women. Men use prostitutes to feel like whole sexual
beings.
It is, in fact, the basic human need to feel not only
loved, but sexually desired turns out to be what drives the use of
commercial sexual services by men. Most women are aware that being a
woman does not detract from their sexual desirability; most men are
acutely aware that being a man most certainly does. In that context
male sexual fantasies revolve around male sexuality simply being
desirable.
Porn can be likened to the fantasies of an impoverished
developing nation—it’s people imagine a world with abundant and
plentiful food. Romance novels are, on the other hand, the fantasies
of a prosperous nation—sprawling McMansions, yachts, vacations to
the Caribbean.
In this context the social censure against men’s
self medication for the psychic wound inflicted on them by women’s
thirst for hyper-desirability is just as morally bankrupt as a
prosperous nation sneering at the ‘base and animalistic urges’ of
an impoverished nation for food and clean water.
We starve men,
then shame them for their hunger and then when they reach for what
little food is within their grasp, we smack their hand away.
[1] http://www.genderratic.com/p/745/stripping-and-original-male-sin/
[2] http://www.cbc.ca/q/blog/2012/01/10/why-do-men-go-to-strip-clubs/
[1] http://www.genderratic.com/p/745/stripping-and-original-male-sin/
[2] http://www.cbc.ca/q/blog/2012/01/10/why-do-men-go-to-strip-clubs/
[3]
http://www.science20.com/news_articles/gender_and_porn_where_men_and_women_look_first
[4]
http://www.youtube.com/watch?v=LOY3QH_jOtE&feature=player_detailpage#t=2743s
TyphonBlue teamed up with JtO to examine the human needs motivating men to seek
services in the sex industry, from pornography to prostitution. TB is
a Canadian social commentator who writes about the state of decay in
the relationship between the genders in our culture with a focus on
men’s vulnerability and women’s agency.
